Fly by Light in Aircraft Systems Analysis

Fly by Light in Aircraft Systems Analysis Fibre optic cables are widely used in telecommunication and network. It is known for its properties which is lighter than standard copper wire, able to carry multiple signals in single cable, no electrical current involved in the cable, cheaper than copper cable because it is made from silica (glass), and does not List of abbreviations FBW- Fly-by-Wire FBL- Fly-by-Light 1.1 OVERVIEW At the early stage of aviation, aircraft utilized cables and pulleys for controls also known as mechanical linkage. This cables and pulleys act as pull and push system to move the flight controls surfaces at the expense of the pilots effort. By using the cables and pulleys, every forces act on the flight control surfaces are being transmitted to the cockpit control and felt directly by the pilots which they have to counter these forces using their own strength without any assistance. Early aircraft were lightweight and the aircraft can only fly at a slower speed thus aerodynamic force is not strong making it possible to manoeuvres the aircraft. With new emerging technology and war at that time, air superiority has become an advantage. Aircraft needs to fly faster, carry more payload and strong. This is when hydraulic systems plays an important role in aircraft control system. By using hydraulic systems, aircraft can fly faster due to the pilot does not have to put extra effort to move the control surfaces with increasing aerodynamic forces. Hydro-mechanical control system is a system which mechanical linkages are connected to the hydraulic system. This system utilized cables, pulleys, and gears at the cockpit control and hydraulic system consist of pipes, reservoir, valves and pumps at the control surfaces. With hydro-mechanical system, the aerodynamic forces acting on the control surfaces are not felt by the pilots making it easy to controls. Stick shaker and artificial feedback are the methods to replicate the aerodynamic forces acting on the control surfaces to the cockpit control. It was to ensure that the pilot does no t manoeuvre the aircraft beyond its limitation. Although the hydro-mechanical system gives a plenty advantages to the pilot, it was deemed as heavy, hard to maintain and not practical for larger aircraft as the cables would have to run over a long distance of aircraft fuselage. Commercial aircraft nowadays are bigger, faster and fly higher than before. Hydro-mechanical control system might not able to accommodate the complicated and sensitive controls made for passengers comfort. Nowadays, majority commercial airliners use Fly-by-Wire system. FBW system replaces the cables, pulleys and gears with copper wires which carries electrical signals from the cockpit control to the control surfaces. FBW eliminate the needs to maintain the cables, pulleys or the gears thus reducing weight of the aircraft. FBW is very efficient due to it being electronically control by computers which manage the autopilot system and aircraft system. Although FBW is considered as the best option available today, it is still needs to be upgrade. Copper wire can only carry one signal for each wire which means for a single system that might needs four signals, it needs four copper wires. Due to this nature, typical aircraft with FBW will have a bundles of copper wires and for maintenance side, working with bundles of wires takes time and lot of manpower. FBW system is still considered to be heavy due to the amount of copper cables involved and caging due to susceptible to electromagnetic frequency. Fly-by-Light is a technology that might be the answer for future aircraft development. FBL technology is not a new thing but the research is slowly progress as it still being tested and research since the 90s. Although FBL might not be implemented in near future but the concept have been use in todays inflight entertainment system which utilized fibre optic cable to cater all passengers preference. 1.2 IMPORTANCE OF THIS STUDY In the world of aviation, safety comes first, revenue comes second and followed by everything else. The information gather in this study might prove that FBL has potential for future aircraft development. Aircraft manufacturers and aviation operators such as airline companies and private sectors always be look into more reliable aircraft, weight-fuel saving and easy to maintain. This study will prove whether it is possible or not to replace the old fly-by-wire system with new fly-by-light system and offer more advantages. 1.3 AIM AND OBJECTIVES The aim for this study is to investigate whether fly-by-light is the future for aircraft system and how it will affect the traditional maintenance practice. In order to complete this study and to achieve the aim as stated, few objectives must be completed such as: To discuss the advantages and disadvantages of using fibre optic cables over standard copper wire on commercial aircraft and military aircraft. To discuss the development and potential of fly-by-light on aircraft system. To show the complication of using fly-by-light system on commercial and military aircraft. To find out whether it will be more cost effective for aircraft manufacturers to manufacture new aircraft system in future aircraft development. To find out the cost and its effect on traditional maintenance practice. 1.4 HYPOTHESIS Technology advancement always research for a new alternative to make aircraft lighter, lower cost and increase reliability. Fly-by-wire system manage to make modern airliners bigger, fly higher, more reliable, save cost and increase in revenue. If fly-by-light system is going to replace the FBW system in the future, commercial and military aircraft will see a lot of improvement in terms of fuel saving due to weight reduction, faster response rate and more simple system installed that is easy to manufacture and maintain. Fly-by-light may not be the system in near future due to the nature of fibre optic technology that is not suffice to withstand aircraft environment but with improvement and further research into fibre optic technology, Fly-by-light soon will replace the fly-by-wire system. 1.5 LIMITATION The main purpose of this study is to do a research whether fly-by-light system might replace the fly-by-wire system in the future. It does not discuss about implementation or direct costing which may involve specific value because this system is yet still under research and development. Any costing stated in this study is mainly an estimation based on current market value. 2.1 Overview Todays aircraft have shown a significant improvement in flight control system. Boeing 787 and Airbus 380 have successfully flown on a fully fly-by-wire system independently. Having the flight control system runs solely on electrical power, the respective aircraft have managed to change every aspects that are common to previous aircraft. Boeing 787 and Airbus 380 are using no-bleed engine as the flight control system now run on electricity, the actuators hydraulics are being pumped by electrical pump and air-conditioning are also run on electrical power. This technological advancement have yet to have its downside which is the aircraft require a lot of shielding in order to protect the electrical system from electromagnetic interference or EMI. The shielding to keep the EMI at minimum have its own disadvantage because shielding is heavy and it makes it hard to access during maintenance.ÂÂ   It might be a success for fly-by-wire system in Boeing 787 and Airbus 380 but by understan ding of what FBL can offer for further aircraft development is very promising. 2.2 FLY-BY-LIGHT AS NEW EMERGING TECHNOLOGY FOR AIRCRAFT SYSTEM 2.2.1 Advantages of using fibre optic cables over copper cables Fibre optic cable is made up of bundle of glass strands coated in insulated cover. Fibre optic cables nowadays widely used for networking and communication as it offers many advantages over copper cables. According to Collins (2015) here is the advantages of using fibre optic cables: BANDWIDTH Fibre optic offers high bandwidth compared to copper wire. High bandwidth means that fibre optic cables are capable of carrying multiple signal over one cable instead of one signal over one wire with copper wire. Aircraft system sends multiple signals for one flight control and using conventional copper wire in FBW system, it needs a bundle of wires just for one flight control. Using fibre optic cable to replace copper wire will reduce significantly the amount of copper wire thus reducing the weight of the aircraft. HIGH SPEED By understanding the concept of fibre optic cable, it has a faster signal transfer rate compare to copper wire. Fibre optic cable carries light signal in which the speed of light travels much faster than electrical current in copper wire. DISTANCE Fibre optic cable capable of carrying signal on longer distance without degrading the quality of the signal as the light have less susceptibility to signal lost during transmission. It does not require any step up or step down voltage like copper wire does. SECURITY Copper wire are easily tap into and less secure compared to fibre optic cable. Electrical signal in a copper wire are also easy to be change by intercepting the signal and can be done by non-professional. Whereas fibre optic cable are made from glass strands which makes it incredibly difficult to intercept the signal without breaking the cable. Even with professionals, the cable are very challenging to intercept midway and if it were done at the source, it is still very tough to change the signal without the proper equipment. RELIABILITY Copper wire and fibre optic cable both susceptibility to worn out over time but instead of posing a fire hazard like copper wire does, fibre optics does not pose any risk of fire hazard as it only carries light signals. Temperature, moisture and severe weather condition could cause copper wire having signal loss or even complete loss of connectivity but it does not happen with fibre optic cable. In terms of studier, fibre optic cable can withstand around 100-200 lbs. of pressure without damaging the cable while copper wire typically are delicate and enough to withstand only at about 25 lbs. of pressure before damaging the wire. CABLE SIZE Higher amount of connections require more copper wire to be able to process all the signals at a higher speed as copper wire performance in signal transferring is directly connected with the cable size. Fibre optic cable size does not determine by the size of the cable and by that, it can be used for multiple signals transfer without affecting the speed or the quality of the signal. Fibre optic cable are much simpler to use and relatively lighter than copper wire. COST Although fibre optic cable today are still considered as more expensive than copper wire in a short term but with it being lighter, more reliable, and much better performance than copper wire makes it a valuable investment for a long run. Fibre optic cable are also easy to maintain which in turn less cost needed. IMMUNE TO ELECTROMAGNETIC INTERFERENCE (EMI) Copper wire carries electrical signal which runs through in bundles of wire in close proximity. When electrical signal flow through a wire, it creates an electromagnetic field. Electrical signal are easily affected by electromagnetic field which then deteriorate the signals. Not only had it affected by its own electromagnetic field, it is also affected by electromagnetic frequency given out by other electronic devices such as a hand phone, microwave, or even lightning strike. Using light signals by fibre optic cable, it does not create any electromagnetic field or affected by other electromagnetic frequency. Being immune to EMI, fibre optic cable does not require shielding as copper wire does. No shielding means an extra weight loss using fibre optic cable rather than copper wire. 2.2.2 INSTALLATION OF FIBER OPTIC CABLE ON AIRCRAFT According to Garg, Linda and Chowdhury (2014), FBL system will follows the same concept as the FBW system except for FBL, the sensors will be replaced with optical rather than standard electrical or electronic as on FBW system. All the cables routing will be no different than copper wire in FBW but with added advantage of using less amount of fibre optic cable because it is capable of transmitting more than one signal per cable making it lightweight and its immune to EMI needs no shielding thus reducing weight even further. In order to change all the sensors and actuators into optical, Photonic Controlled Actuation System or PCAS is introduced. This actuator system is a modified version of standard Electro Mechanical Actuator or EMA but with added optical controller that commands EMA. The signal that being sent to EMA is the same signal sent by the flight control computer. In order for the EMA to received and react to the signal, the engineers have modified the EMA to make sure the signal sent via light from the optical controller is readable. As the PCAS will utilized light signal to react, all other sensors such as the actuator position, motor position and current are replaced by optical sensors. Figure 1: Fly-by-Wire standard wire routing in aircraft (ICCCI, 2014) Figure 2: FBL utilized the same cable routing as the FBW but with reduced cable amount (ICCCI, 2014) 2.2.2 FLASH PROGRAM FOR RESEARCH AND DEVELOPMENT Based on John R Todd (1996), during the mid-1994, McDonnell Douglas team start working for two years project called the Fly-by-Light Advanced System Hardware Program or also known as FLASH Program. FLASH program was initiated to develop a reliable and cost effective FBL system and hardware for aircraft in military and commercial. This FLASH program aims to be able to demonstrate the FBL system use on aircraft specifically. In summer 1996, the team was able to put on two demonstration of aircraft using FBL system. Ground demonstration with the FBL system on a partial flight control system and during flight demonstration, aileron trim control system was replaced with FBL system. The FBL system that was installed on the test aircraft was built on open architecture platform which have its own advantage. 2.2.2.1 OPEN ARCHITECTURE CONCEPT In the computer industry according to Computerhope.com (2017) the definition of open architecture is an open platform and was built on common platform so that any hardware and software can be use, reconfigure or modified to fit the platform such as the IBM computer. In aviation, Flexible Vehicle Management System or flexible VMS is the same as open architecture used in computer industry. Flexible VMS means that the aircraft system will be built on base platform using common hardware and software which can be expanded, outsourced and reconfigured to fit any aircraft system platform be it in commercial or military configuration. The benefit of having open architecture in flexible VMS will encourage more development on a system and more integration of new role with potential growth. Other benefit from using an open platform in flexible VMS is it will reduce cost significantly as the platform will use a very identical and same modular blocks so there is no need for further research for n ew platform every time new idea and innovation present itself. Future aircraft system such as the FBL system can be built on open architecture which not only save cost for development but also time. By using open architecture concept on flexible VMS, the McDonnell Douglas Aircraft Control and Avionics System or ACAS has managed to expand and contracted a single platform to fit new FBL system according to the need of transport aircraft with various size and shape. Using the flexible VMS for ACAS has managed to maximize the commonness and the ability to share hardware on any platform regardless of the commercial aircraft or the military aircraft while keeping the development cost down and save time. The ACAS architecture is also part of the FLASH program to develop and built sustainable and reliable FBL system in future aircraft system. 2.2.2.2 MAJOR ASPECTS IN FLASH PROGRAM As stated by John R. Todd (1996), FLASH program consist of two major aspects that is needed to achieve. The first major aspects of FLASH program responsibility is to develop integrated fibre optic cable plants and every components needed to make it work. The first development focuses on producing reliable cable plants and its components and also to figure out the installations procedure as well as the maintainability of the new system components. The cables and components must be able to withstand aircraft environment to fit the purpose. This aspect of development has been assigned as TASK 1A. Major associate with MDA-TA for TASK 1A in the FLASH program was Berg Electronics. TASK 2A is the advancement from TASK 1A development where the cable plants and components that were developed and produced in TASK 1A were used to demonstrate FBL system on flexible VMS. Honeywell as the major team mate along with HR Textron, GEC-Marconi and Allied Signal were involved in the development of TASK 2A as the effort of develop and implement the new FBL system on aircraft. The team have managed to produce and develop the main flight control fibre optic data bus system, Fly-by-Light primary flight control computers (PFCs), a representative remote terminal/ distribution unit (RDU) which is a smart actuator with low cost fibre optic data links to the RDU and lastly, a flight test done on the FBL aileron trim system. Figure: TASK 1A and TASK 2A in FLASH Program FLASH Task 1A successfully developed high density fiber optic ribbon cable and connectors that passed the aircraft environment test and deemed as flightworthy. This ribbon cables and connectors will be the backbone of the FBL system for aircraft control system. Single-fiber fanout assembly, conduit systems including clamps, splitters and connector backshells were also developed by Task 1A for FLASH program. MDA Advanced System Technology also responsible in developing a safe and reliable installation procedure as well as maintenance procedure that are cost effective for both manufacturer and clients. Increased reliability and maintainability also ensure a reduction cost in installation and maintenance labour. AVMAC was the high density fiber optic connector being developed by Task 1A under the FLASH program that was meant to be the termination of fiber optic ribbon cable. The ribbon cable is basically constructed using 18 fibers arranged into linear arrangement into one ribbon.ÂÂ   The advantage of having the fiber optic ribbon cable for FBL system is that the ribbon cable can provide several optical fiber in one small integrated package apart from bundles of copper wires as in FBW system. Although the fiber optic ribbon cable consist of 18 optical fibers, the physical aspect and appearances of the ribbon cable is not far from a single channel fiber optic cable. The ribbon cables are also has been classified as flight qualified by MDA AST which met all the aircraft environment specifications, mechanical requirements and optical requirements set forth by MDC specifications. The ribbon cable is not develop only for 18 optical fibers installation but it can be reduce or increase accord ing to the requirement but Task 1A team considered 18 optical fibers is the best option and suitable for FBL system on aircraft. Identical to fiber optic ribbon cable assembly is the optical fan-out assembly. The difference between these two cable is one of them carries all 18 optical fibers in one protective casing and the other one converts the package into 18 individual fiber optic channel. Fan-out assembly designs and material use is the same as the ribbon cable assembly but fan-out assembly use to separate 18 optical fibers into single channel so that each single optical fiber channel can be routed to several locations on aircraft. During FLASH task 1A, the team encountered many challenges to ensure the reliability of the installation and maintenance for fiber optic cable. One of the option they selected was using a tube to house the fiber optic cable. This tube is a conduit that is made up of clear plastic tubing. The conduit is the best option to safe guard the fiber optic cable since it is also lightweight and with the added benefit of it being easy to replace, remove or add fiber optic cable with ease. Maintenance wise, this clear plastic conduit is relatively transparent makes it easy to detect any damaged fiber optic cable using a laser fault finder. The team also develop a special connector which is the backshell or the conduit adapter to ensure the conduit is easy to access and protect the fiber optic cable. Task 2A for FLASH program is to develop and installation of the flight control using FBL system using parts and components produced by Task 1A. Task 2A will be responsible to put on FBL system onto test aircraft but limited to certain flight control surfaces for ground and flight demonstration. Ground demonstration team for Task 2A have managed to develop and installed the main flight control fiber optic data bus system, the FBL primary flight control computers or the PFCs, a remote terminal/ distribution unti or the RDU and a smart actuator along with an affordable fiber optic data link to the RDU. The demonstration from ground team for Task 2A will validate whether the aircraft closed loop system with FBL installation will function accordingly.ÂÂ   The ground demonstration covers all ACAS architecture including: Active Hand Controllers (AHCs), Primary Flight Control Computers (PFCs) the optical data buses (ARINC-429 and AS-1773A). a smart actuator for spoiler, an intelligent Remote Distribution Unit (RDU), and AVMAC connector that Task 1A previously developed. According to John R. Todd et al (1993), the real challenge of FBL system is the installation process and maintenance that needs to be done just like any other systems. MDA-TA/DAC have come up with few options on how to install and maintain the FBL system on aircraft. Some of the options are modification of present product and some of it are an improvement from previous product to suit with fibre optic and the FBL system. FIBER OPTIC TRAY INSTALLATION As FBW nowadays advances into more electrical aircraft, the amount of copper wire increasing to cater huge demand of electrical system. Aircraft manufacturer have come up with the idea of tray installation which provide a specific compartment to install all the wiring to ease the work for maintenance by separating each compartment according to their function.ÂÂ   Figure below is the example of tray installation concept being use for FBW system. Figure: Example of tray installation for fibre optic/wire on aircraft This tray installation concept from FBW system will give more advantage for FBL system due to the reduction of the numbers of interconnects making FBL configuration more practical and effective. CONDUIT ASSEMBLY All of MDA-TA/DAC production aircraft utilized conduit assembly which is basically a clear tubing. The main purpose of this conduit is to provide extra security to the cables where work is done on a tight spacing and less work area. If the conduit is accidently bent, the tubing will always maintain a safe bending radius and prevent any physical damage to the cables. The tubing is also lightweight and very durable which adds another advantage. Using the conduit assembly, hybrid configuration may be achieve by combining both electrical and fibre optic cable into a same conduit.ÂÂ   The following figure will show the examples of conduit assembly as MDA-TA/DAC are using on their production aircraft. FIGURE: Flexible Conduit for Fibre Optic Installation ACTIVE OPTICAL CONTACT Active Optical Contact or AOC is an active optical device that is embedded into the electrical contact point or connector shell. This type of installation basically use standard electrical connectors but inside the connectors, the electrical signal from transmitter is being converted into light signal and send through fibre optic cable which will reach the end of the cable in the form of light signals. This light signals then will be converted into electrical signal inside the receiver connectors which also have the embedded optical device. The AOC will act as the connector between two electrical signal port that is the transmitter and the receiver but will be sending the signal in the form of light signal via fibre optic cable. This results in no optical contact between transmitter and the receiver thus eliminating the need of extra devices at the end of both port to convert light signal into electrical signal. FIGURE: Active Optical Contact FIGURE: Example of AOC working principle (https://www.slideshare.net/allanlee/sfp-trrx-selection-guidejan2014) AVIONIC MULTIFIBER ARRAY CONNECTOR (AVMAC) Multifiber Array Connector II or MACII that was being use is going to be replace with the new Avionic Multifiber Array Connector or AVMAC. The new AVMAC was developed with ATT with the purpose of upgrading the old MACII for fibre optic connection. The main function of new AVMAC is to be the termination point of fibre optic ribbon assembly. Ribbon fibre is basically a group of fibres, 12 or 18, arranged into a linear array. This ribbon fibre will be jacketed, wrap with buffer coat and strength member which will be very similar to the single channel fibre as MDA/TA-DAC approved. The AVMAC is a device which will connect the array of fibre in the ribbon to hold each individual fibre so that it can be align and easier to install to the other mating half. Figure: Cross-sectional of ribbon fibre assembly which consist of 12 fibre optic cables. SPLICES During maintenance and installation, fibre optic needs to be splice to fit. After testing several fibre optic mechanical splices and only two mechanical splices that achieved MDA/TA-DAC approval. Although the two mechanical splices is considered to date fit their installation and maintenance approach, it is still cannot withstand the aircraft environment and none is consider as the right mechanical splices for aviation grade quality. The reasons for this result came from several points of the disadvantage of using market-ready mechanical splices in aircraft environment. First reason, fibre optic cable need to remove the buffer and the strength member in order to do splicing. If the buffer and strength member removed from the cable, every mechanical protection for the glass fibre ends at the splicing. Second, having the glass fibre exposed to the atmosphere, moisture in the air will get into the micro-cracks that naturally exist and will further expand the severity of the cracks into larger cracks. Increase in optical power loss as the micro-cracks elongated and propagated. Lastly, apart from previous problems with market-ready mechanical splices, it is also imposed a fire hazard due to this fusion splicing creates spark while being use on aircraft. Regulation made it clear that any devices that create spark or open flame are not permitted on fuelled aircraft. Due to the disadvantages mentioned, MDA-TA has develop their own designs for their fibre optic mechanical and chemical bond splices. The new invention of splices/connectors would be a small, one piece construction that is lightweight and could withstand aircraft environment. The new connectors that were design with environmentally sealed construction should be accepting a single mated pin and socket termini for either fibre optic cable or standard copper wire. The connectors is very adaptable and can be install anywhere directly onto fibre optic cable that might need repairs such as a splices, modification or maintenance purpose. Next figure will show the example of the newly design connectors to fit aircraft usage and regulation. Figure: Fibre Optic/ Electrical Single-Channel Splice/ Connector/ Feedthrough Contents ABSTRACT Part 1: INTRODUCTION 1.1 OVERVIEW 1.2 IMPORTANCE OF THIS STUDY 1.3 AIM AND OBJECTIVES 1.4 HYPOTHESIS 1.5 LIMITATION Part 2: Literature Review 2.1 Overview 2.2 FLY-BY-LIGHT AS NEW EMERGING TECHNOLOGY FOR AIRCRAFT SYSTEM 2.2.1 Advantages of using fibre optic cables over copper cables 2.2.2 INSTALLATION OF FIBER OPTIC CABLE ON AIRCRAFT 2.2.2 FLASH PROGRAM FOR RESEARCH AND DEVELOPMENT 2.2.2.1 OPEN ARCHITECTURE CONCEPT 2.2.2.2 MAJOR ASPECTS IN FLASH PROGRAM

Violence: A Means to an End? Essay examples -- Politics Government Lat

Violence: A Means to an End? The use of violence to further various political and social movements occurs throughout Latin America and its history. Its long-term effectiveness in a social context, however, is dubious. Although many of these revolutions proved initially successful in accomplishing their stated purpose, especially in the political arena, eventually the drastic changes cause regression or create a sort of culture of instability within the nation. The Haitian Revolution and the Mexican War of Independence exemplify this standard. Seen as huge successes in their time, these historical revolutions have caused deterioration in the current state of affairs in the respective nations. Despite the lasting changes they have brought about in the system of power in the country, they affected the masses little. Nations such as Cuba have seen a forceful removal of the government, which in its very purpose was designed to alter the structure of society. In these cases, violence alone is not enough to cause chan ge, but may serve to build momentum that in turn, makes change possible. Instead of the sole use of violence and intimidation tactics to force submission and support, widespread popular backing is exactly what is needed for a successful movement; a small but loyal constituency of oppressors, a significant number of oppressed, and a large amount of firepower may accomplish goals in the short-run, but will fall short of achieving lasting change. The effectiveness of a large movement by the people also lessens the success of violence in counter-revolutionary attempts. These missions, to keep control of power and subdue so-called subversives, tend to be fiercer and disregard issues such as personal freedoms and human right... ... Krause, Enrique. â€Å"The Vision of Father Morelos.† Problems in Modern Latin American History. Ed. John Charles Chasteen and James A. Wood. Wilmington: Scholarly Resources Inc., 2004. 27-30. â€Å"The Mothers of the Plaza de Mayo.† The Vanished Gallery. http://www.yendor.com/vanished/madres.html. (15 April 2005) Stein, Barbara and Stanley. â€Å"The Racial Heritage of Colonialism.† Problems in Modern Latin American History. Ed. John Charles Chasteen and James A. Wood. Wilmington: Scholarly Resources Inc., 2004. 3-6. â€Å"United States World Report 2003.† Human Rights Watch. http://www.hrw.org/wr2k3/us.html#conditions. (15 April 2005). â€Å"When the people rule.† Fidel Castro History Archive. http://www.marxists.org/history/cuba/archive/castro/1959/01/21.htm. (15 April 2005) Wucker, Michele. â€Å"The Massacre River.† Why the Cocks Fight. New York: Hill and Wang, 1999. 37.

Insanity in The Yellow Wallpaper by Gillman and Fruit at the Bottom of

Describe an important experience that happened to a person or character in each text. Explain how this experience affected each person or character. Imagine being kept in a room for months on end, with nothing to do but stare at the wallpaper. Or cleaning a house till it is entirely spotless, in order to eliminate your prints from a murder scene. These events are experienced by the female narrator in "The Yellow Wallpaper" by Charlotte Perkins Gillman and Mr William Acton, in "The Fruit at the Bottom of the Bowl", by Ray Bradbury. Both characters descend into complete madness after experiencing these predicaments. The narrator of ?The Yellow Wallpaper? is a woman who has just given birth and has developed post-natal depression. Because of this, her husband John who is a ?physician of high standing? tells her she must stay in a room in a colonial mansion and is ?forbidden to ?work? until she is well again.? The woman has a feeling the house is haunted even though she is impressed that they are going to stay in such a place for their summer holiday. Once in the room, she notices the wallpaper, which is a horrible yellow colour. Day by day she becomes more obsessed about this wallpaper and begins to see women in the pattern. After asking her husband for consent to leave the room, he refuses and she becomes engulfed by the wallpaper, spending every moment inspecting it. On the day she is due to leave she locks herself in the room and tears the wallpaper off, in order to free the woman inside. This leads her to believe that she is one of the women who has escaped the wallpaper and circles the room claiming ?I?ve got out at last!? The experience of being locked in a room, against her desire drove her to complete and utter mad... ...Acton both begin completely sane but become worse as a result of circumstance. They are driven to behaving the way they do because of the way they are treated by other people. The two characters hallucinate and visualise objects that aren?t actually real. One difference is Acton becomes crazy as a result of his own actions but the narrator becomes crazy as a result of actions by others who take control of her fate. In the two texts ?The Yellow Wallpaper? and ?The Fruit at the Bottom of the Bowl?, two lives are destroyed by circumstance and the relationships they have with others. By the end of the stories the reader is left knowing that the woman could not escape her husband?s control and Acton could not escape the fact that he had murdered somebody. Such insignificant things, a fingerprint and wallpaper, can have the capacity to drive people towards insanity. Insanity in The Yellow Wallpaper by Gillman and Fruit at the Bottom of Describe an important experience that happened to a person or character in each text. Explain how this experience affected each person or character. Imagine being kept in a room for months on end, with nothing to do but stare at the wallpaper. Or cleaning a house till it is entirely spotless, in order to eliminate your prints from a murder scene. These events are experienced by the female narrator in "The Yellow Wallpaper" by Charlotte Perkins Gillman and Mr William Acton, in "The Fruit at the Bottom of the Bowl", by Ray Bradbury. Both characters descend into complete madness after experiencing these predicaments. The narrator of ?The Yellow Wallpaper? is a woman who has just given birth and has developed post-natal depression. Because of this, her husband John who is a ?physician of high standing? tells her she must stay in a room in a colonial mansion and is ?forbidden to ?work? until she is well again.? The woman has a feeling the house is haunted even though she is impressed that they are going to stay in such a place for their summer holiday. Once in the room, she notices the wallpaper, which is a horrible yellow colour. Day by day she becomes more obsessed about this wallpaper and begins to see women in the pattern. After asking her husband for consent to leave the room, he refuses and she becomes engulfed by the wallpaper, spending every moment inspecting it. On the day she is due to leave she locks herself in the room and tears the wallpaper off, in order to free the woman inside. This leads her to believe that she is one of the women who has escaped the wallpaper and circles the room claiming ?I?ve got out at last!? The experience of being locked in a room, against her desire drove her to complete and utter mad... ...Acton both begin completely sane but become worse as a result of circumstance. They are driven to behaving the way they do because of the way they are treated by other people. The two characters hallucinate and visualise objects that aren?t actually real. One difference is Acton becomes crazy as a result of his own actions but the narrator becomes crazy as a result of actions by others who take control of her fate. In the two texts ?The Yellow Wallpaper? and ?The Fruit at the Bottom of the Bowl?, two lives are destroyed by circumstance and the relationships they have with others. By the end of the stories the reader is left knowing that the woman could not escape her husband?s control and Acton could not escape the fact that he had murdered somebody. Such insignificant things, a fingerprint and wallpaper, can have the capacity to drive people towards insanity.

The bauhaus related to 2014 fashion

The Aesthetic Of Bauhaus and Current Trends Following WWW, as much of Germany lay in despair, Bauhaus thrived as a revolutionary, inspired and unique School breaking down the perceived class barriers between craftsmen and fine artists. Founded in 1919 by Architect Walter Groping, Bauhaus modernized the Art Industry and Education, influencing all aspects of design today. As fashion, like art, progresses in cycles, inspiring and influencing each other through the creation of their designs, it would have been an ideal for Bauhaus and its collective education.The communal teaching of design basics to all iris year students meant all disciplines adopted a visionary approach to composition integrating simplicity, functionality and bare boned structure. The Wassail Chair is an iconic example of Bauhaus aesthetic, completely reducing the classic club chair to its fundamental form whilst retaining comfort and style. Inspired by the tubular steel framing of his bicycle, Marcel Brewer created t he Wassail chair to be seamless. Engaged with the transparency of the form†, Brewer created a mere structural outline of what then was considered the standard, contributing immensely to the Bauhaus aesthetic we know today. In Fashion we see the same structural aesthetic in pieces like La File Do's â€Å"One† Bra. The singular steel underline sculpts the body leaving only the bare necessities of the common bra, focusing on its foundation. Using minimal detailing in the cups, opting for a soft mesh, the bra focuses on the structure; the nowhere and straps.Both Brewer and La File DO keep color to the minimum, using black or plain monochromatic schemes to further accentuate the framework of the designs. Rejecting the bourgeois detail plastering Germany at the time, Bauhaus students instead took the opposite direction. By completely striping back all decoration, even reducing color back to primary's and shades, they created a new take on architecture. Using geometric blocks and unconventional materials they constructed simple yet intriguing designs. The same can be said for modern fashion.Structured outfits in block colors are always popular as they provide a sleek and sophisticated look, such as with 3. 1 Phillip Limb's SIS 14 collection. As Bauhaus students used geometric boxes to create interesting shapes for buildings, Limit does the same for women. The square boxed white Jacket although seemingly plain creates an incredibly smooth and angular silhouette, the oversized structure building off her body emulating perfectly the white cubic buildings most associated with the Bauhaus aesthetic.During the first year of Bauhaus education, Color Theory was intensely studied. Josef Teen, teacher of said subject and inventor of the 12-hue color wheel believed â€Å"Color is life; for a world without color appears to us as dead. Colors are primordial ideas, the children of light. † The psychology and audience perception of color developed at Bauhaus is still an extremely relevant source to all designers today, helping designers portray different emotion through color and hue. Whilst at Bauhaus, Teen developed a series of seven methodologies for coordinating color using hue.One methodology in particular, saturation, was adopted into some of the most famous artworks to come out of Bauhaus such as Josef Albert â€Å"Homage to the Square† in which Albert created the exact same square filled with consistently smaller squares and changed the feeling of each art work using only hue and saturation of the color. This saturation is best shown in an exercise from Paul Kale's lour class depicting the different shades of red moving down the scale. In Channel's SIS 14 collection we also see the emotional effect of saturating colors.On the pure white canvas of flowing capes and summer dresses Karl Loggerhead paints graduating swatches, each color swiftly moving from dark to barely there light, while the dress graduates from dark forest gr eens to soft pastels. Paintbrushes and pallets adorn the models hands as they walk and the youth and creativity of the collection shines through instantly. Bauhaus considered typography to be another kind of building, literally studying the Truckee of letters and characters, the flexibility each character held and the visual effect they had on the audience.The Bauhaus font otherwise known as the â€Å"Universal† font was a meticulously sculpted style that was simple, clean and modern. The rise of typography heralded the rise of graphic advertising, a strategy that would quickly be picked up by most if not all design disciplines, none so ferociously as fashion. Designer brands like Louis Button and Channel are not only instantly recognizable but intrinsically valuable for bearing their particular typeface as part of their branding. In fashion, Typography is used as a hook for customer engagement, often aimed at teenage girls.Typography is the quickest way to get your demograph ic to relate to your brand. Although not considered a typically high-class trait in fashion, brands like Mission, DENY and Jeremy Scott have taken up the typography trend successfully with their graphic fonts plastered over Jumpers, dresses and anything you can print on. Although nearly one century old, Bauhaus continues to influence many aspects of design. The flesh and bone structure, simplicity of design and geometric blocked out hopes are all still extremely relevant in the fashion and art of today.

Media Worksheet

What were the major developments in the evolution of mass media during the 20th century? During the 1900’s magazines along with newspapers became the leading literature for media. When the 1940’s rolled around radio was invented and became the new way to get in touch with the masses. Folks often tuned into to get the news on what was going on during the war. Even though radio was new there was still a high demand for the newspaper as a way to get and stay informed on different things.Then in the1950’s television became the new source for information and resources for mass media. Television was everything all rolled up into one and the people loved it. In 1962 technology grew and they came up with the Satellites which gave the masses or the American Culture access to news all around the world. Today we can all just see how far technology has came and how endless the possibilities may be for the future. There are many forms of communication and it just continues to grow and communication has become almost instant these days.There is a never ending demand for more speed, more apps and new computers with high performance and so many other ways to communicate and relay information to the masses. People want instant answers to their questions and concerns and mass media makes it happen for the people. Technology only seems to grow more and more as the demand for new ways to communicate grow with it. There is always the next best thing right after the next best thing to have and buy in way of, phones, computers, and I-pads for social networks and so on.How did each development influence American culture? Mass media has developed strongly over the past years. The development of mass media has had a big influence on the American culture in many ways. It seems today, that mass media has endless possibilities to reach people. Initially in American culture we only communicated orally. In the past people depended on teachers and story tellers to obtain knowledge. One of the beginning developments in mass media was the ability to print.As far back as the 1400’s there were books in the starting stages of becoming available to people the mass media audience. Then we had the development of the Telegraph as a way of communication that was instant, and it did away with the need to transport written information. The creation of the telegraph opened the doors to cell phones, radio and fax machines. In the Twentieth century we entered the phase of electronics. This new age of information brought television to the American culture and lead to other resources like satellite and computers.Then we moved into the digital phase which gave a wealth of power to a common person. So as we can see mass media has had a profound affect on American culture in ways we have evolved in communication. No longer relying on one certain source to gain knowledge or information, we now have many avenues of media and communication that are instant and avai lable and will only continue to become better, which allows the American culture to stay in touch, get informed, and help them better and faster with communication and recourses.

Last Sacrifice Chapter Twenty

â€Å"YOU SHOULD SLEEP.' Sydney's soft voice nearly made me leap out of my skin, proving that even while in Lissa's mind, I could still stay alert. I tuned back to Sonya's dark living room. Aside from Sydney, everything was quiet and at peace. â€Å"You look like the walking dead,' she continued. â€Å"And I don't say that lightly.' â€Å"I've got to stay on watch,' I said. â€Å"I'll watch. You sleep.' â€Å"You're not trained like me,' I pointed out. â€Å"You might miss something.' â€Å"Even I wouldn't miss Strigoi beating down the door,' she replied. â€Å"Look, I know you guys are tough. You don't have to convince me. But I have a feeling things are going to get harder, and I don't want you passing out at some crucial moment. If you sleep now, you can relieve Dimitri later.' Only the mention of Dimitri made me give in. We would need to relieve each other eventually. So, reluctantly, I crawled into Sydney's bed on the floor, giving her all sorts of instructions that I think she rolled her eyes at. I fell asleep almost instantly and then woke up just as quickly when I heard the sound of a door closing. I immediately sat upright, expecting to see Strigoi busting down the door. Instead, I found sunlight creeping in through the windows and Sydney watching me with amusement. In the living room, Robert was sitting up on the couch, rubbing his eyes. Victor was gone. I turned to Sydney in alarm. â€Å"He's in the bathroom,' she said, anticipating my question. That was the sound I'd heard. I exhaled in relief and stood up, surprised at how even a few hours of sleep had energized me. If I only had food, I'd be ready for anything. Sonya didn't have any, of course, but I settled for a glass of water in the kitchen. As I stood there drinking, I noticed that the Dashkov brothers had made themselves at home: coats hanging on hooks, car keys on the counter. I quietly grabbed hold of the keys and called for Sydney. She came in, and I slipped her the keys, trying not to let them rattle. â€Å"Do you still know about cars?' I murmured. In one exquisite look, she told me that was a ridiculous and insulting question. â€Å"Okay. Can you go do a grocery run? We're going to need food. And maybe on your way out, you can, um, make sure their car has engine trouble or something? Anything that keeps it here. But not something obvious, like slashed tires.' She put the keys in her pocket. â€Å"Easy. Got any food requests?' I thought about it. â€Å"Something with sugar. And coffee for Dimitri.' â€Å"Coffee's a given,' she said. Victor stepped into the kitchen, his typically unconcerned expression making me think he hadn't heard me instructing Sydney to sabotage his car. â€Å"Sydney's getting groceries,' I said, hoping to distract him before he might notice the missing keys. â€Å"Need anything?' â€Å"A feeder would be nice, but barring that, Robert has an especial liking for Cheerios. The apple cinnamon kind.' He smiled at Sydney. â€Å"I never thought I'd see the day an Alchemist would be an errand girl. It's charming.' Sydney opened her mouth, no doubt to make some biting comment, and I quickly shook my head. â€Å"Just go,' I said. She went, and Victor soon returned to Robert's side. Convinced the brothers wouldn't be going anywhere in full daylight without a car, I decided it was time to check on Dimitri. To my surprise, Sonya was awake. She sat cross-legged on the bed with him, and the two spoke in hushed tones. Her hair was disheveled from both sleep and fighting, but otherwise, she showed no cuts or bruises from the battle. Dimitri had been the same after his transformation, escaping terrible burns. The power of a Strigoi restoration healed all injuries. Between my skinned legs and pseudo-concussion, I kind of wished someone had transformed me from a Strigoi. Sonya turned from Dimitri as I entered. A sequence of emotions passed across her face. Fear. Astonishment. Recognition. â€Å"Rose?' There was hesitancy in the word, like she wondered if I was a hallucination. I forced a smile. â€Å"It's good to see you again.' I chose not to add, â€Å"Now that you're not trying to suck the life out of me.' She averted her eyes down to her hands, studying her fingers like they were magical and wonderful. Of course, after being a monster, maybe having her â€Å"old hands' back really was wondrous. The day after his change, Dimitri hadn't seemed quite so fragile, but he'd certainly been in shock. That was also when he'd grown depressed. Was she? Or did she want to turn again, as Victor had suggested? I didn't know what to say. It was all so strange and awkward. â€Å"Sydney went for groceries,' I told Dimitri lamely. â€Å"She also stayed up so that I could sleep last night.' â€Å"I know,' he said with a small smile. â€Å"I got up once to check on you.' I felt myself flushing, somehow embarrassed that I'd been caught in weakness. â€Å"You can rest too,' I told him. â€Å"Get some breakfast, and then I'll keep an eye on everything. I have it on good authority that Victor's going to have car trouble. Also that Robert really likes Cheerios, so if you want some, you're out of luck. He doesn't seem like the sharing type.' Dimitri's smile grew. Sonya suddenly lifted her head. â€Å"There's another spirit user here,' she said, voice frantic. â€Å"I can feel it. I remember him.' She looked between Dimitri and me. â€Å"It's not safe. We're not safe. You shouldn't have us around.' â€Å"Everything's fine,' said Dimitri, voice so, so gentle. That tone was rare for him, but I'd heard it before. He'd used it on me in some of my most desperate moments. â€Å"Don't worry.' Sonya shook her head. â€Å"No. You don't understand. We †¦ we're capable of terrible things. To ourselves, to others. It's why I changed, to stop the madness. And it did, except †¦ it was worse. In its way. The things I did †¦' There it was, the same remorse Dimitri had felt. Half-afraid he'd start telling her there was no redemption for her either, I said, â€Å"It wasn't you. You were controlled by something else.' She buried her face in her hands. â€Å"But I chose it. Me. I made it happen.' â€Å"That was spirit,' I said. â€Å"It's hard to fight. Like you said, it can make you do terrible things. You weren't thinking clearly. Lissa battles with the same thing all the time.' â€Å"Vasilisa?' Sonya lifted her eyes and stared off into space. I think she was digging through memories. In fact, despite her ramblings now, I didn't believe she was quite as unstable as she'd been just before becoming Strigoi. We'd heard healings could lessen spirit's madness, and I think Robert's transformation had lightened some of the darkness within her for now. â€Å"Yes, of course. Vasilisa has it too.' She turned to me in a panic. â€Å"Did you help her? Did you get her out of there?' â€Å"I did,' I said, trying to emulate Dimitri's gentleness. Lissa and I fled St. Vladimir's for a while, partly because of warnings from Sonya. â€Å"We left and then came back and, uh, were able to stop what was hunting her.' I didn't think it was a good idea for Sonya to know that the thing–or rather, person–hunting Lissa was now sitting out in the living room. I took a step forward. â€Å"And you can help Lissa too. We need to know if–‘ â€Å"No,' said Dimitri. No gentleness now in the warning look he gave me. â€Å"Not yet.' â€Å"But–‘ â€Å"Not yet.' I shot him a glare in return but said no more. I was all for giving Sonya her recuperation time, but we didn't have forever. The clock was ticking, and we had to find out what Sonya knew. I felt like Dimitri would have been able to give us this information immediately after he'd been changed back. Of course, he hadn't been unstable beforehand, so he'd kind of had an edge. Still. We couldn't play house in Kentucky forever. â€Å"Can I see my flowers?' asked Sonya. â€Å"Can I go outside and see my flowers?' Dimitri and I exchanged glances. â€Å"Of course,' he said. We all moved toward the door, and that's when I had to ask. â€Å"Why did you grow flowers when you were †¦ like you were?' She paused. â€Å"I've always grown flowers.' â€Å"I know. I remember. They were gorgeous. The ones here are gorgeous too. Is that why †¦ I mean, did you just want a pretty garden, even as a Strigoi?' The question was unexpected and seemed to throw her off. I was about to give up on an answer when she finally said, â€Å"No. I never thought about pretty. They were †¦ I don't know. Something to do. I'd always grown flowers. I had to see if I still could. It was like †¦ a test of my skills, I guess.' I met Dimitri's eyes again. So. Beauty hadn't been part of her world. It was just like I'd told him. Strigoi were notoriously arrogant, and it seemed the flowers had simply been a show of prowess. Growing them had also been a familiar habit for her, and I recalled how Dimitri had read Western novels while Strigoi. Being Strigoi might cost someone their sense of goodness and morality, but old behaviors and hobbies remained. We took her out to the living room, interrupting a conversation between Victor and Robert. Sonya and Robert both froze, sizing each other up. Victor gave us one of his knowing smiles. â€Å"Up and around. Have we found out what we need yet?' Dimitri shot him a look similar to what I'd received when asking about interrogation. â€Å"Not yet.' Sonya dragged her gaze from Robert and moved quickly toward the patio door, pausing when she saw our shoddy patch job. â€Å"You broke my door,' she said. â€Å"Collateral damage,' I said. In my periphery, I think Dimitri rolled his eyes. Needing no guidance from us, Sonya opened the door and stepped outside. With a gasp, she came to a halt and stared upward. The sky was a perfect, cloudless blue, and the sun had crossed the horizon now, illuminating everything in gold. I went outside too, feeling the warmth of that light on my skin. Some of the night's coldness lingered, but we were in store for a hot day. Everyone else came out too, but Sonya was oblivious. She lifted her hands upward, as though maybe she could grab hold of the sun and wrap it in her arms. â€Å"It's so beautiful.' She finally looked away and met my eyes. â€Å"Isn't it? Have you ever seen anything so beautiful?' â€Å"Beautiful,' I reiterated. For some reason, I felt both happy and sad. She walked around her yard, examining every plant and flower. She touched the petals and inhaled their fragrance. â€Å"So different †¦' she kept saying to herself. â€Å"So different in the sun †¦' Several especially caught her attention. â€Å"These don't open at night! Do you see it? Do you see the colors? Can you smell that?' The questions didn't seem to be for anyone in particular. We watched, all of us kind of hypnotized. At last, she settled into the patio chair, happily gazing around, lost in sensory overload–in that beauty that had been denied to her as a Strigoi. When it became obvious she wasn't leaving for a while, I turned to Dimitri and repeated Sydney's advice about him taking a turn at sleeping while we waited for Sonya to recover. To my surprise, he actually agreed. â€Å"That's smart. Once Sonya's able to talk, we'll need to move.' He smiled. â€Å"Sydney's turning into a battle mastermind.' â€Å"Hey, she's not in charge here,' I teased. â€Å"She's just a soldier.' â€Å"Right.' He lightly brushed his fingers against my cheek. â€Å"Sorry, Captain.' â€Å"General,' I corrected, catching my breath at that brief touch. He gave Sonya a kind goodbye before disappearing into the house. She nodded, but I don't know if she really heard. Victor and Robert brought out two wooden kitchen chairs and set them in the shade. I chose a spot on the ground. Nobody spoke. It wasn't the weirdest thing I'd ever experienced, but it was certainly strange. Sydney returned later with the groceries, and I briefly abandoned the group to check in with her. Victor's keys were lying back on the counter, which I took as a good sign. Sydney unloaded an assortment of food and handed me a box of a dozen donuts. â€Å"Hope that's enough for you,' she remarked. I made a face at her presumption but took the donuts anyway. â€Å"Come on outside when you're done,' I told her. â€Å"It's like the barbecue of the damned. Except †¦ there's no grill.' She looked puzzled, but when she joined us later, she seemed to get what I'd been saying. Robert brought out a bowl of Cheerios, but neither Sydney nor Victor ate. I gave Sonya a donut, the first thing that took her attention from her yard. She held it in her hands, turning it over and over. â€Å"I don't know if I can. I don't know if I can eat it.' â€Å"Of course you can.' I recalled how Dimitri had regarded food uncertainly too. â€Å"It's chocolate-glazed. Good stuff.' She took a tentative, rabbit-sized bite. She chewed it a billion times and finally swallowed. She closed her eyes briefly and sighed. â€Å"Such sweetness.' Slowly, she continued taking more tiny bites. It took forever for her to get halfway through the donut, and at that point, she finally stopped. I'd polished off three donuts by then, and my impatience to accomplish something was growing. Part of it was still the irritability from spirit, and part of it was just my continual restlessness to help Lissa. â€Å"Sonya,' I said pleasantly, fully aware of how pissed off Dimitri was going to be at me defying his instructions. â€Å"We wanted to talk to you about something.' â€Å"Mm-hmm,' she said, gazing at bees hovering around some honeysuckle. â€Å"Is there a relative of yours †¦ someone who, uh, had a baby a while ago †¦ ?' â€Å"Sure,' she said. One of the bees flew from the honeysuckle to a rose, and she never looked away. â€Å"Lots.' â€Å"Articulate, Rosemarie,' remarked Victor. â€Å"Very articulate.' I bit my lip, knowing an outburst would upset Sonya. And probably Robert too. â€Å"This would be a secret baby,' I told her. â€Å"And you were the beneficiary on a bank account that took care of the baby †¦ an account paid for by Eric Dragomir.' Sonya's head whipped toward me, and there was no dreamy absentmindedness in her blue eyes now. A few seconds passed before she spoke. Her voice was cold and hard–not a Strigoi voice, but definitely a back off voice. â€Å"No. I don't know anything about that.' â€Å"She's lying,' said Robert. â€Å"I didn't need any powers to figure that out,' scoffed Sydney. I ignored both of them. â€Å"Sonya, we know you know, and it's really important we find this baby †¦ er, child. Person.' We'd made guesses on the age but weren't 100 percent sure. â€Å"You said you were worried about Lissa earlier. This will help her. She needs to know. She needs to know she has another family member.' Sonya turned her attention back to the bees, but I knew she was no longer watching them. â€Å"I don't know anything.' There was a trembling in her voice, and something told me that maybe I shouldn't push this after all. I couldn't tell if she was afraid or on the verge of rage. â€Å"Then why were you on the account?' This came from Victor. â€Å"I don't know anything,' she repeated. Her voice could have made icicles form on the ornamental trees. â€Å"Nothing.' â€Å"Stop lying,' snapped Victor. â€Å"You know something, and you're going to tell us.' â€Å"Hey!' I exclaimed. â€Å"Be quiet. You don't have interrogation rights here.' â€Å"You didn't seem to be doing a very good job.' â€Å"Just shut up, okay?' I looked back at Sonya, replacing my glare with a smile. â€Å"Please,' I begged. â€Å"Lissa's in trouble. This will help her. I thought you said before that you wanted to help her?' â€Å"I promised †¦' said Sonya. Her voice was so low, I could barely hear it. â€Å"Promised what?' I asked. Patience, patience. I had to remain calm. I couldn't risk a breakdown. She squeezed her eyes shut and raked her hands through her hair violently, almost like a child about to have a tantrum. â€Å"Promised not to tell. Promised not to tell anyone †¦' I had the urge to run over and shake her. Patience, patience, I repeated to myself. Don't upset her. â€Å"We wouldn't ask you to break your promise if it wasn't important. Maybe †¦ maybe you can get in touch with this person †¦' Who had she promised? Eric's mistress? â€Å"And see if it's okay to tell us?' â€Å"Oh for God's sake,' said Victor irritably. â€Å"This is ridiculous and getting us nowhere.' He glanced at his brother. â€Å"Robert?' Robert hadn't done much so far today, but at Victor's command, Robert leaned forward. â€Å"Sonya?' Still obviously distraught, she turned to look at him †¦ and her face went still. â€Å"Tell us what we need to know,' said Robert. His voice wasn't kind so much as smooth and lulling, with a faintly sinister touch. â€Å"Tell us who and where this child is. Tell us who the mother is.' This time, I did jump to my feet. Robert was using compulsion on her to get the answers. Sonya's eyes stayed locked on him, but her body began to shake. Her lips parted, though no sound came out. A tangle of thoughts swirled in my mind. Compulsion would get us what we needed to know, but something told me, it wasn't right– Sonya stopped me from any more pondering. She shot up almost as quickly as I had. She was still staring at Robert, but no longer in that transfixed, hypnotized way. She'd broken the compulsion, and now †¦ now she was pissed. The features that had been scared and fragile earlier were filled with fury. I had no magical senses, but after being with Lissa, I knew raging spirit when I saw it. Sonya was a bomb, about to explode. â€Å"How dare you †¦' she hissed. â€Å"How dare you try to compel me?' Plants and vines near Robert suddenly sprang to life, growing to impossible heights. They reached out, tangled themselves around his chair's legs, and pulled. The chair toppled over, Robert along with it. Victor moved to help his brother, but Robert was already taking matters into his own hands. Recovering remarkably fast, he narrowed his eyes at Sonya, and she went flying backward, slamming against the wooden fence. Air users could do that trick sometimes, but this wasn't air blowing her back. This was spirit's telekinetic abilities. He apparently possessed them outside of dreams too. Lovely. I'd seen spirit users battle it out before, when Avery Lazar and Lissa had gone one on one. That hadn't been pretty, particularly since more than this exterior psychic phenomena had occurred. Avery had actually dug into Lissa's mind–and mine. I didn't know Robert or Sonya's full skill set, but this couldn't end well. â€Å"Dimitri!' I yelled, springing toward Sonya. I didn't exactly know what I was going to do, but tackling her seemed like a sound plan. From what I'd observed, a lot of spirit involved eye contact with the target. And sure enough, when I managed to wrestle her to the ground, she struggled half- heartedly but mostly fought to keep her gaze on Robert. He screamed in sudden alarm, looking down at his own body in terror. Sonya was planting visions into his head. His expression hardened. He had to know it was an illusion, and a few moments later, he looked up, having broken her spell like she'd broken his earlier compulsion. Dimitri came tearing out the door at that point, just as Robert used his mind to fling one of the chairs toward Sonya. Of course, I was on top of her, so the chair hit me in the back. Dimitri picked up pretty quickly what was going on and ran toward Robert, attempting the same tactic as me. Victor, possibly thinking his brother was in physical danger, tried to pry Dimitri away, which was futile. More vines began to reach toward Robert, and I realized constraining Sonya wasn't all that useful. â€Å"Get him inside!' I yelled to Dimitri. â€Å"Get him away from her!' Dimitri had already guessed that and began dragging Robert toward the door. Even with Victor interfering, Dimitri's strength was enough to get Robert out of there and back into the house. As soon as her target was gone, all the energy seemed to fade out of Sonya. She made no more efforts to fight me and collapsed to the ground. I was relieved, having feared she'd turn on me once Robert was gone. Tentatively, still on guard, I helped Sonya sit up. She leaned against me, weak as a rag doll, and cried into my shoulder. Another breakdown. After that, it was a matter of damage control. In order to keep the spirit users apart, Dimitri had taken Robert to the bedroom and left Victor with him. Robert seemed as worn out as Sonya, and Dimitri deemed the brothers safe enough to leave alone. Sonya collapsed on the couch, and after both Dimitri and I had tried to calm her down, we stepped away while Sydney held the Moroi woman's hand. I briefly recapped what had happened. Dimitri's face grew more and more incredulous as I did. â€Å"I told you it wasn't time!' he exclaimed. â€Å"What were you thinking? She's too weak!' â€Å"You call that weak? And hey, I was doing fine! It wasn't until Victor and Robert got involved that things went to hell.' Dimitri took a step toward me, anger radiating off him. â€Å"They should never have gotten involved. This is you, acting irrational again, jumping in foolishly with no thought of the consequences.' Outrage shot through me in return. â€Å"Hey, I was trying to make progress here. If being rational is sitting around and doing therapy, then I'm happy to jump over the edge. I'm not afraid to get in the game.' â€Å"You have no idea what you're saying,' he growled. We were standing closer now, hardly any space left between us as we engaged in our battle of wills. â€Å"This may have set us back.' â€Å"This set us forward. We found out she knows about Eric Dragomir. The problem is she promised not to tell anyone about this baby.' â€Å"Yes, I promised,' piped up Sonya. Dimitri and I turned as one, realizing our argument was fully visible and audible to Sonya and Sydney. â€Å"I promised.' Her voice was very small and weak, pleading with us. Sydney squeezed her hand. â€Å"We know. It's okay. It's okay to keep promises. I understand.' Sonya looked at her gratefully. â€Å"Thank you. Thank you.' â€Å"But,' said Sydney carefully, â€Å"I heard that you care about Lissa Dragomir.' â€Å"I can't,' interrupted Sonya, turning fearful again. â€Å"I know, I know. But what if there was a way to help her without breaking your promise?' Sonya stared at Sydney. Dimitri glanced at me questioningly. I shrugged and then stared at Sydney too. If someone had asked who could stage the best intervention with a crazy woman who'd formerly been an undead monster, Sydney Sage would have been my last guess. Sonya frowned, all attention on Sydney. â€Å"W-what do you mean?' â€Å"Well †¦ what did you promise exactly? Not to tell anyone that Eric Dragomir had a mistress and baby?' Sonya nodded. â€Å"And not to tell who they were?' Sonya nodded again. Sydney gave Sonya the warmest, friendliest smile I'd ever seen on the Alchemist. â€Å"Did you promise not to tell anyone where they are?' Sonya nodded, and Sydney's smile faltered a little. Then, her eyes lit up. â€Å"Did you promise not to lead anyone to where they are?' Sonya hesitated, no doubt turning every word over in her mind. Slowly, she shook her head. â€Å"No.' â€Å"So †¦ you could lead us to them. But not tell us where they actually are. You wouldn't be breaking the promise that way.' It was the most convoluted, ridiculous piece of logic I'd heard in a while. It was something I would have come up with. â€Å"Maybe †¦' said Sonya, still uncertain. â€Å"You wouldn't break the promise,' Sydney repeated. â€Å"And it would really, really help Lissa.' I stepped forward. â€Å"It would help Mikhail too.' Sonya's mouth dropped open at the mention of her former lover. â€Å"Mikhail? You know him?' â€Å"He's my friend. He's Lissa's friend too.' I almost said that if we found the missing Dragomir, we could then take Sonya to Mikhail. Recalling Dimitri's feelings of unworthiness, I decided to avoid that tactic just now. I didn't know how Sonya would react to a reunion with her beloved. â€Å"And he wants to help Lissa. But he can't. None of us can. We don't have enough information.' â€Å"Mikhail †¦' Sonya looked down at her hands again, small tears running down her cheeks. â€Å"You won't break your promise.' Sydney was so compelling she could have been a spirit user. â€Å"Just lead us. It's what Mikhail and Lissa would want. It's the right thing to do.' I don't know which argument convinced Sonya the most. It could have been the part about Mikhail. Or it could have been the idea of doing â€Å"the right thing.' Maybe, like Dimitri, Sonya wanted redemption for her Strigoi crimes and saw this as a chance. Looking up, she swallowed and met my eyes. â€Å"I'll lead you there,' she whispered. â€Å"We're going on another road trip,' Sydney declared. â€Å"Get ready.' Dimitri and I were still standing right next to each other, the anger between us beginning to diffuse. Sydney looked proud and continued trying her best to soothe Sonya. Dimitri looked down at me with a small smile that shifted slightly when he seemed to become aware of just how close we were. I couldn't say for sure, though. His face gave little away. As for me, I was very aware of our proximity and felt intoxicated by his body and scent. Damn. Why did fighting with him always increase my attraction to him? His smile returned as he tilted his head toward Sydney. â€Å"You were wrong. She really is the new general in town.' I smiled back, hoping he wasn't aware of my body's reaction to us standing so close. â€Å"Maybe. But, it's okay. You can still be colonel.' He arched an eyebrow. â€Å"Oh? Did you demote yourself? Colonel's right below general. What's that make you?' I reached into my pocket and triumphantly flashed the CR-V keys I'd swiped when we'd come back inside. â€Å"The driver,' I said.

The Kid with a Bike Movie Review Example | Topics and Well Written Essays - 2000 words

The Kid with a Bike - Movie Review Example This paper is a review of the film â€Å"The Kid with a Bike† Directed by Jean Pierre Dardenne and Luc Dardenne. The film is about the one sided yet blissful blood bond relation between a father and an eleven year old who is abandoned by his father and lives in a foster home and is being told by the father that he would have to live there for only a short while. With hopes in heart that he would return to his father soon, the distracted boy is never able to relate to life without his father and his desired bicycle. He runs in search of the bike which he considers a special symbol of attachment to his father. To his small childish memory he runs tracing his father in all the places he can image. He visits the place where his father lived, but much to his disappointment, he finds out that his father has moved out.The very first scene of the movie tells us about the boy’s state of mind who is lacking the peace and it is evident through an encounter with the counselor of th e foster home where the boy hopes to find out about his father. He often tries to flee the foster home in hope of going to his real home which was promised by his father to him. While in pursuit of his little dream, and peace, along with hope of finding the bicycle and his father again, his life and future days take a turn for the good when he comes across a generous hairdresser who would later on adopt him. The Theme is based on the attempt of interpretation of the boy’s distracted mind which he suffers due to one of his parent’s unstable social standing.... While in pursuit of his little dream, and peace, along with hope of finding the bicycle and his father again, his life and future days take a turn for the good when he comes across a generous hairdresser who would later on adopt him. The Theme is based on the attempt of interpretation of the boy’s distracted mind which he suffers due to one of his parent’s unstable social standing. Being not able to bring him up, he falsely tells his young son that the stay at foster home would be a brief one; however, in real the things are gloomier for the ill fated boy. The theme is a very apt one considering the modern day unstable social standings of number of parents in various societies across the world, and it equally applies to the American Society and parents as well. It lives up to the expectations and delivers the message in a very calculated manner and warns all those with such intentions that abandoning their kids is the last best option available for their kids. Early day s of life are the days where the kid needs proper attention and their parents guard. Even the toys and other childhood kits do not mean as much to the kids as much as their own parents. This has been shown in a very skill full manner where the kid considers the bicycle as a symbol of his father’s love towards him. The movie will definitely leave a spark in the minds and hearts of all those parents who are going through the thick of times and have even for once thought over similar lines of foster homes for their children. They would get to know what these actions could have in offer for the young ones if sent away from home. What three or four sequences are most important in the film? Why?   There are number of scenes that would give the viewers goose bumps on any given day, and those moments were